As Singer

Mr. Barrientos obtained his title as Professor of Voice at the Conservatorio Superior de Música de Málaga.
He has developed his vocal and opera technique with Burce Hall at Northwestern University in Chicago, USA.
He has taken several monographic courses with Peter Winkler and Magad Mendoza (lied and concert music), Esperanza Abad (contemporary music), Irina Shikina (opera), Herminio González (Gregorian Chants), Vicente León (expressive interpretation), receiving Honorary Mention and obtaining the First Prize in Lyric Song at Tivoli World in 1994.
He has sung as a soloist in La Traviata, La Bohéme and the Zarzuelas Doña Francisquita and Luisa Fernanda in the Teatro Cervantes of Málaga.
He has performed in many concerts, including at the Fundación Joan Miró (Barcelone), Centro de Arte Reina Sofía (Madrid), as well as extensive performances in the UK and Chicago, USA. He has also performed in leading tenor roles in Donizetti´ Lucrezia Borgia and Verdi´ La Traviata with Da Corneto Opera Ensemble Company in Chicago with excellent reviews.



As Composer

Pedro has studied Composition y Electroacustic Music with Gabriel Brncic, at the Fundación Joan Miró de Barcelona.
He has also taken Monographic Analysis Courses and Electroacoustic Music Composition with H. Vaggione (IRCAM), Adolfo Nuñez (CDMD), E. Polonio, C. Zulian, J.M. Berenguer, J. Ordinas, J.L. Campana y G. Ligeti.
He has collaborated in numerous multimedia performances, among them; Torre Abdera (Adra, 1993), Música Para Mirar (Conservatorio, Málaga 1993), Nihil Obastat (Granada, 1994) Pesias Teatralizadas de Ayer y Hoy (Málaga, 1993), Sembradores de Sueños (Malaga, 1994), La Nota Creativa (Teatro Cervantes, Málaga 1994), ¡Que Noche la de Aquel Día! (Malaga 1995), Fremente, (Malaga 1996), El Silencio del Chopin, requested by the International Electroacoustic Music Festival of Sardinia, Italy and his work; Cinco Espíritus for the V Concención Internacional de Percussió de Palma de Mallorca (October, 2001).